Mini-DigiLink (F) auf DigiLink (M) KabelAdapterZum Anschluss von älteren Pro Tools | HD-Schnittstellen an eine neuere Schnittstelle oder ein neueres SystemLänge 0,45 m
Eight channels of analog input in a 5 meter / 16.4 foot cable. TASCAM wiring standard. One needed for the Aurora 8 and two for the Aurora 16. Male 25 pin DSub to eight XLR female connectors. Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
Lynx CBL-DIGY85 Digital input/output cable; eight channels AES/EBU I/O. Male 25 pin D-sub connector (yellow) with four female XLR connectors for input and four male XLR connectors for output; 5 meters (16.4 feet) long; Yamaha pinout configuration. Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
Eight channels of analog output in a 5 meter / 16.4 foot cable. TASCAM wiring standard. One needed for the Aurora 8 and two for the Aurora 16. Male 25 pin DSub to eight XLR male connectors.
RTW 1163
Adapter cable, 4 m, up from 25p Sub-D connector eight M-XLR cable connector, for surround 11900, SurroundControl 31900, 31960, touch monitor series ..
Schoeps AK DMS/3U Adapter CableAdapter cable used with the Schoeps "Surround Sets" for the Double M/S system.A single, seven-conductor shielded cable with an XLR-7M output connector carries the signals from all three microphones (front mid, figure-8 and rear mid); the AK DMS 3U then splits the three signals out again. For more information, please visit this products webpage
Schoeps AK SU/2U Adapter Cablestereo XLR-5F jack to two XLR-3M plugsAdapter Cable AK SU/2UAdapter cable for the stereo microphones MSTC 64 Ug (ORTF), KFM 6 and KFM 360 (sphere microphones) as well as the CMXY 4V Ug (X/Y microphone).The combination of this adapter cable with its inverse counterpart (AK 2U / SU: 2 x XLR-3F to XLR-5M) and an XLR-5 extension cable makes it possible to use just one cable for a stereo setup.Color coding channel I: yellow, channel II: redInput XLR-5FOutput 2× XLR-3MLength 2× 0.5 m For more information, please visit this products webpage
CABLE FOR SURROUND
This cable has got multi-pin miniature Binder connectors which meet the AES-65 standard for surround connectors.
10 m: K Surround 10 M
CABLE FOR SURROUND
This cable has got multi-pin miniature Binder connectors which meet the AES-65 standard for surround connectors.
20 m: K Surround 20 M
CABLE FOR SURROUND
This cable has got multi-pin miniature Binder connectors which meet the AES-65 standard for surround connectors.
5 m: K Surround 5 M
CABLE FOR SURROUND
This cable has got multi-pin miniature Binder connectors which meet the AES-65 standard for surround connectors.
50 m: K Surround 50 M (with this version a cable drum is included)
cable for insertion between the capsule and the amplifier of the Colette system
contains active electronics for impedance conversion of the capsule
3 mm thin, robust, tear-resistant cable
a special sheath makes the cable torsion-proof, meaning that the hanging cable does not lose its orientation even when the ambient temperature rises.
Signal transmission to the microphone amplifier is conducted asymmetrically, so the length should be less than 20m
Active Colette Cables may be inserted between any capsule of the Colette modular system and the microphone amplifier.
The cable itself is highly resistant to stretching, bending and abrasion. Moreover, it does not tend to twist after being suspended, even with temperature changes. This is of importance, e.g. when the microphone is hung from the ceiling.
We recommend that the length not be excessive for the anticipated use, to avoid radio-frequency interference from sources such as SCR-equipped lighting boards. From experience, cable length of 5 m is satisfactory. Lengths greater than this may be required when hanging a microphone from a ceiling, but we do not recommend runs in excess of 20 m since the circuit up to the microphone amplifier is unbalanced.
cable for insertion between the capsule and the amplifier of the Colette system
contains active electronics for impedance conversion of the capsule
3 mm thin, robust, tear-resistant cable
a special sheath makes the cable torsion-proof, meaning that the hanging cable does not lose its orientation even when the ambient temperature rises.
Signal transmission to the microphone amplifier is conducted asymmetrically, so the length should be less than 20m
Active Colette Cables may be inserted between any capsule of the Colette modular system and the microphone amplifier.
The cable itself is highly resistant to stretching, bending and abrasion. Moreover, it does not tend to twist after being suspended, even with temperature changes. This is of importance, e.g. when the microphone is hung from the ceiling.
We recommend that the length not be excessive for the anticipated use, to avoid radio-frequency interference from sources such as SCR-equipped lighting boards. From experience, cable length of 5 m is satisfactory. Lengths greater than this may be required when hanging a microphone from a ceiling, but we do not recommend runs in excess of 20 m since the circuit up to the microphone amplifier is unbalanced.